瓜德利尔舞
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A sparkling four-way affair overflowing with dialogue that showcases writer-director Sacha Guitry’s wit, Quadrille stars Guitry as a magazine editor whose longtime girlfriend (whom he hopes to make his fiancée) is uncontrollably drawn to a handsome American movie star. Meanwhile, a discerning reporter (Jacqueline Delubac) watches from the sidelines with amusement and provides t...
荣耀六十年
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
芝加哥大火记
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影片主线讲述了19世纪一户普通家庭来到芝加哥并奋斗的故事,影片后半一头母牛碰倒了提灯点燃了大火,展现了惊人的火灾场景。
亚历山大·涅夫斯基
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影片表现了13世纪俄国亚历山大·内夫斯基王子率领军民击溃掠夺成性的德国立窝尼亚条顿骑士的业绩。爱森斯坦借鉴民间叙事诗的技巧,使这一爱国史诗具有明显的壮丽歌剧的风格。条顿骑士入侵俄国后,无恶不作。他们洗劫普斯科夫,吊死爱国者。内夫斯基带领人民群众,以伊格纳特等积极分子为骨干力量,保卫了重镇诺夫哥罗德,消灭了叛徒托瓦尔其洛。最后,在楚德湖的冰面上大败条顿骑士。
休假日
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乔尼(加里·格兰特暂无内容Cary暂无内容Grant暂无内容饰)在一次偶然中邂逅了名为朱莉(多蕊丝·诺兰暂无内容Doris暂无内容Nolan暂无内容饰)的女孩,两人坠入了情网之中。之后,乔尼才知道,朱莉是大名鼎鼎的银行家桑德先生(亨利·科尔克尔暂无内容Henry暂无内容Kolker暂无内容饰)。桑德先生对于乔尼这个一穷二白的臭小子充满了戒心,极力反对他和女儿之间的感情,相反的是,朱莉的姐姐琳达(凯瑟琳·赫本暂无内容Katharine暂无内容Hepburn暂无内容饰)和哥哥奈德(刘·艾尔斯暂无内容Lew暂无内容Ayres暂无内容饰)都非常中意老实巴交的乔尼。
雾码头
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让(让•迦本暂无内容Jean暂无内容Gabin暂无内容饰)在战争后成为了一个落魄的逃兵。在大雾弥漫的夜晚他搭上了一辆顺风车,并救下了一只小狗,小狗跟着他来到了这座海滨小城。小城的码头上终日雾气弥漫,天空市集尽显压抑之色。让在这里遇到了美丽的奈丽(米歇尔•摩根暂无内容Michèle暂无内容Mo暂无内容rgan暂无内容饰),两人逐渐相爱,而让却不得不面对自己颠沛流离的逃亡命运。奈丽的监护人扎贝尔杀死了她的前男友莫里斯,奈丽不堪忍受他的占有欲和管教离家出走。让在一次与奈丽的相会中惹上了当地的黑社会分子路西恩(Pierre暂无内容Brasseur暂无内容饰),路西恩觊觎奈丽的美色,一直在追寻莫里斯的下落。正在奈丽回家后面对扎贝尔疯狂侵犯的危急关头,让及时出现打死了这个卑鄙的商人。两人一同走在雾码头的街道上,面对分别的时刻,路西恩却开枪射杀了让……
我的童年
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Detstvo暂无内容Gorkogo暂无内容(The暂无内容Childhood暂无内容of暂无内容Maxim暂无内容Gorky)暂无内容-暂无内容1938暂无内容Directed暂无内容by暂无内容Mark暂无内容Donskoy暂无内容G.暂无内容Shenotinnik
马赛曲
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在法王路易十六时期,各种社会矛盾日益激化,新兴的资产阶级同情农民疾苦,受到巴黎雅各宾派的影响,阿尔诺带领马赛港的市民设计夺取了要塞,得到了武器,并驱逐了公爵,他们举行集会通过决议组织500名义勇军进军巴黎去搭救同情改革的议员,马赛市民积极参军,高唱着马赛曲向进发。途中他们受到了拥护共和的人民的欢迎也和顽固的保皇党进行了战斗,到达巴黎后,他们汇入了革命者的队伍,1792年8月10日,巴黎人民在雅各宾派的领导下,终于推翻了路易十六王朝,赢得了政权交替的胜利,揭开了法国大革命的序幕,而这个时期创作的进军歌曲《马赛曲》也成为了鼓舞斗志的赞歌。
太阳溪农场的丽贝卡
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8岁的小女孩丽贝卡(Shirley暂无内容Temple暂无内容秀兰•邓波暂无内容饰)天生拥有一副好嗓子,她随继父哈里(William暂无内容Demarest暂无内容饰)参加某电台的选秀,其歌喉令制作人东尼(Randolph暂无内容Scott暂无内容饰)绝倒,然哈里却误以为继女落选,已带着丽贝卡先行离开。
北方旅馆
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A young couple, Renee and Pierre, take one night a room at the Hotel du Nord, in Paris, near the canal Saint-Martin. They want to die together, but after having shooted at Renee, Pierre lacks of courage and ran away. Another customer, Monsieur Edmond, a procurer, rescues her. When Renee goes out of the hospital, she is hired as a waitress at the hotel. Monsieur Edmond falls in ...