搜索"安杰伊" ，找到 部影视作品
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博物馆关门之后，剩下了女大学生桑德拉Sandra（克莱尔;内布饰）和建筑师洛伦佐Lorenzo（维托里奥暂无内容bull;梅佐焦尔诺饰）。显然是洛伦佐吸引了桑德拉，两人晚间数次发生关系。第二天上午，桑德拉报警。庭审中原告被告双方各执一词，明明是原告自愿，还尝到平时少有的愉悦，女性公众也特别为被告叫屈。结果强迫罪成立（不可信之处在于法庭对;犯罪暂无内容证据的采集博物馆的监控录像）。剧情虽已是峰回路转，贝洛基奥的正本戏才刚刚开始。检察官乔瓦尼Giovanni（安杰伊塞韦伦饰）和妻子莫尼卡Monica（格拉日娜暂无内容bull;沙波沃夫斯卡饰）闹翻，竟陷入女人;要暂无内容;不要;，男人要;好抑或要;坏的疑惑，被他入罪的建筑师洛伦佐倒来替他指点迷津。政治正确向来大过天，贝氏偏要闯闯地雷阵，用一件奇情案件透视男女关系的千头百绪。两男角谈女人，尤其刺激思考。既是挑战权威的火气之作，也流露容纳各种观点辩证的大方坦然。
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菲腊花了两个月的薪金买下八米厘摄影机，本想纪录刚出生女儿的成长，但厂长却要求他为单位服务，拍摄联欢晚会；误打误撞下，居然给他在电影节里捞了个奖。他登时雄心万丈立志成为纪录片大师，冷落娇妻也在所不计。但镜头下的真实却不是人人吃得消。当人民英雄的代价是好同事成了活靶，最後菲腊要在成名与道义之间作取舍。
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愁云密布的20世纪中叶，出身日本普通家庭的杉原千亩（唐泽寿明 饰）凭借卓越的语言天赋和情报分析能力进入日本外务省，并被外派到伪满洲国外交部工作。他在工作中出色彰显了自身的实力，也被苏联方面判定为“不被欢迎之人”。在1939年，杉原千亩赴任立陶宛的大使馆，随时监视着欧洲大国的动向。未过多久，德国悍然向波兰发动闪电袭击，破坏力巨大且深远的第二次世界大战旋即拉开序幕。由于残酷的种族清洗，成千上万犹太人沦为难民。他们扶老携幼，寻找一切可能而微茫的求生机会。最终他们涌向日本驻立陶宛大使馆，乞求杉原千亩发放过境签证逃亡。 迫于和德国的同盟关系，日本方面拒绝难民的请求。站在国家利益和人性的交界处，杉原千亩做出了重大的决定……
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1940年，波兰冠军拳王泰迪参与华沙围城保卫战的武装部队，华沙被破，他在逃亡法国途中被捕，成为第一批被送往奥斯威辛集中营的战囚。集中营里朝不保夕，纳粹士兵视为游戏的地下拳击赛，成为泰迪为生存而拼搏的重要战争。然而，一次次激励人心的胜利，却让纳粹长官警觉到囚犯的反抗意识，转而强化管制，眼见冲突逐渐升温，获胜已然成为集中营里残酷的生存之路。 波兰新锐导演马西耶·巴尔切夫斯基首部剧情长片，将战后被忽视的华沙拳王故事搬上大银幕，背号“77”的囚犯在三年内赢了40战，他的奋斗故事成为奥斯威辛囚犯幸存者的集体记忆。波兰金奖演员彼得．葛洛瓦兹基透过长时间密集的身体训练，精采演绎波兰影史最“痛”的角色。 “我的爷爷是集中营幸存者，这个故事一直存在我的血脉之中。”――马西耶·巴尔切夫斯基
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華沙大學助理教授馬立克長途跋涉，去探訪闊別五年的好朋友兼大學同學楊，目的是要請楊返回大學工作。37歲的楊放棄了大學教席，在一個孤立的氣象站工作，與任職小學教師的妻子安娜及他的祖父住在偏遠的農村小屋，家中甚至沒有一個電視機。當地人亦沒有什麼文化生活，與楊格格不入。 馬立克是個前途燦爛的物理學家，專長是研究人工水晶體，曾在哈佛大學和莫斯科留學兩年半。馬立克已離婚，採取玩世不恭的態度對待工作和愛情。他認為付出的必須要有回報，他無法理解為何楊可以在這貧瘠的地區滿足自己。 馬立克對安娜描述外地的風光，以幻燈片證明美國的美好生活和蘇聯共產主義的弊端，引起從小在窮鄉僻壤長大的安娜憧憬，兩人甚至幾乎發生戀情，但她最終還是把他送走。 影片藉馬立克與楊對人生、愛情和科學的不同態度，探討知識分子應如何在社會上發揮功能，並提出了深刻的哲學問題。
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Set at the turn of the century, the story concerns a Polish poet living in Cracow who has decided to marry a peasant girl. The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland's 100-year-long division of Poland under Russia, Prussia, and Austria. The bridegroom, a painter friend, and a journalist each in turn is confronted with spectres of Polish past. In the end a call to arms is called but turns out to be a hoax.
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The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black). The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful. This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz. Plot: As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)
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After taking control of the capital, Nanny's gang prepares for the biggest smuggling action in the history of Poland.